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Of cabbies, crowds and lingerie
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Wallace, Idaho Hearses were in
short supply in Kellogg, Idaho, in May 1972. A pickup hauled
a dead miner to a hillside cemetery slashed with freshly
turned earth. Another arrived in a station wagon.
Thus begins The Deep Dark: Disaster and Redemption
in Americas Richest Silver Mine, a riveting,
page-turning and gut-wrenching account of the May 2, 1972
Sunshine Mine Disaster by New York Times best-seller Gregg
Olsen (Abandoned Prayers, Starvation Heights, Cruel Deception,
Bitter Almonds). The Deep Dark is due for release by Crown
Publishers on March 1st.
From the very first of his 319 pages Olsen wraps you around
his finger at the Jewell Shaft portal that fateful morning
and doesnt let go until the last of the 91 men who
lost their lives in the sudden and impossible hell that
enveloped them at the lunch hour a mile deep inside is laid
to rest. You can read Clancy or Higgins for great fiction,
John McPhee or Jack Olsen (no relation, but a friend and
mentor to Greggs nevertheless) for non-fiction, and
you will find none better.
I read the rave reviews of The Deep Dark from Publishers
Weekly and the like and wonder if they read the same book
I did. They talk of the bravado and macho of mining men
like this was something different out here in the Old West.
Oh, one supposes there is some truth to the notion that
western hard-rock miners are a breed apart. Indeed, hard-rock
mining is part balls, but it is also part intellect, part
luck, part skill, part determination, part creativity
and it is surely no part dumb labor, at least not in the
sense that the practice of law or banking or accounting
are dumb labor. Theres nothing rote about hard-rock
mining.
Nor is hard-rock mining, by the standards of this day,
exceedingly dangerous. Truckers, power company linemen,
loggers, pay a far higher workers compensation premium
than do miners. This will come as a shock to most miners.
(Review the stats further and you will discover that for
municipal employees, it is far more dangerous to be a sewer
worker than it is to be a cop.) Bring up either of these
well-documented comparisons in the wrong bar, however, and
your jaw will be merged with your lower stern bearings.
It is the suddenness, the strangeness, the swiftness and
the violence that injures or kills a hard-rock miner that
gives us our death-fix with these people. And the fact that
mining camps are small places. If your partner gets slabbed,
(crushed to death in a sudden fall of rock from the back
of a stope) there is a good chance he was on the school
board, or an uncle to your neighbors kids, or coached
little league, or taught debate.
No, what strikes this western reader is Olsens brilliance
in bringing out the ordinariness of the men of the Sunshine
Mine, then and now, the ordinariness of hard-rock miners
and their human dignity. The kiss from a young wife. The
plans to wash and wax the vintage Ford at shifts end.
The car-pool to work and its conversation about dumping
shift that day to celebrate a friends birthday. And
underground, even as death enveloped them, the passion of
a man to save his friends life, to not get on the
life-saving mile-long cage-ride to the surface until he
was sure his partner was all right and already aboard.
Its about guys who wouldnt leave their jobs
underground, at the controls of the hoists and aboard the
cages, miners who having escaped death went back into the
gas-choked mine to join a rescue team because there were
men alive still underground, and gave up their own lives
in so doing. Because they were miners.
On another level, The Deep Dark is an indictment of Nixons
mid-1970s corporate America, the age of the leveraged buyout,
where accountant- and law-degreed middle-managers dithered
while a mile beneath them, mens lives hung on every
second of indecision. And the fury of real mining men against
this corporate Pablum, the fury of young men who would become
decades later captains of this industry. Harry Cougher.
Art Brown. Among the first of the helmet team
rescue guys who understood the gravity of the situation
a mile beneath them while men without chests awaited orders
from higher up and sussed-out their financial projections.
The horrors of the Sunshine Mine Disaster I will leave
to the reader of The Deep Dark to unearth. They are plentiful
and graphic to a fault. But they are not told in a he
said-she said vein. You see first-hand the Sunshine
Mine Disaster from the eyes of the men who were there. It
is their tale. Its a narrative style you will find
refreshing told by a journalist who has the dignity
and the decency to be invisible. Gregg Olsen makes you the
lens of the camera. He is not in the scene.
The Deep Dark will open old wounds in my mining camp. Huge
wounds, ripped apart by a UPI reporter who posed as a Red
Cross candy-striper in order to infiltrate the rain-besotted
camps of soon-to-be widows and orphans until he was called
out by a miner for the fraud that he was. (Trust me: 30
years later they still hate journalists here.)
Huge wounds, ripped apart by network television crews who
hijacked Big Creek homes and power lines to file the latest
sensationalistic lede. Huge wounds, ripped apart by Nixons
Secretary of the Interior, Rogers Morton, who parachuted
in to the mining camp to assure all of us that the mining
company was doing all that it could even as Cougher and
Brown chafed.
Huge wounds, ripped apart by Jerusalem Slim
Sunshine CEO Irwin P. Underweiser who flew
out from New York to set jittery shareholders to right by
announcing, before the first corpse came out, that Sunshine
Mining Company had production interruption insurance, and
that a cessation of operations would improve the silver
price even as men still breathing that cruel air
screamed from below in vain to be hoisted out, that from
the companys perspective, the Sunshine Mine Disaster
was a good thing.
Huge wounds, ripped apart by a tragedy that killed ever
seventh father and uncle in this mining camp.
Yes, Gregg, you stepped into my mining camp and you reopened
huge wounds. But I think in a way I would have wished Id
done, you also healed them.
One of the protagonists of your book, Ken Ace
Riley, was my next-door neighbour on Wallaces South
Hill. He woke us up on occasion in the 1980s, screaming
the black-and-white replays of his nightmare underground,
of losing his partner Joe Armijo, in the deep and the dark.
Kens kids, Greg and Randy, taught me how to chop wood.
And next-door neighbour Ken, when my pipes froze up, was
first in the attic of my log cabin to show me how to cheat
a copper fitting and make it work. He gave me a stolen Hecla
axe, and took up where his kids left off, and within a week
I could make toothpicks out of logs.
Ken Riley was just one of 200 men living an uncommon life,
with a common story. When we met I was a journalist and
he was a miner, working, after the fire, in Sunshines
lamp room. But we shared an affinity for Heidelberg beer
and good conversation. We almost never talked about the
fire. But it hung upon our shoulders like St. Elmo. He talked
obliquely about how the union and the company had screwed
the men, but I never knew his real story until I read Olsens
book. Kens kids tell me now that, yeah, I never really
knew the Old Man. He didnt want to unload, back then.
But Gregg, he talked to you.
I was shooting stick at the Long Shot Saloon (formerly
the Tip-Top) in Kellogg one Saturday morning four years
ago when Gregg Olsen wandered in, looking for me, wanted
to know what I knew about the Sunshine Mine Disaster, said
he was writing a book. Well, Id heard that happy horseshit
before, besides I was always going to be the guy who wrote
that book and who was he? Then he started shooting out names
like Dionne and Beehner and Kitchen and Bush, the real guys.
Told me more about those guys than I knew myself
and they were my neighbours. I told him about Aces
nightmares; hed already heard, theyd already
talked.
Then Gregg went away, to work over every Sunshine Mine
Disaster survivor and widow still living for their recollection.
This part of research preparatory to writing is trust
me the most difficult. And my friends reported back
to me: I think this guy gets it.
The pre-publication copies of The Deep Dark are in circulation
this month up here, prior to its release to the New York
snobs. (CBS News, by the way, does not want to touch this
story because it is such ancient history. Apparently, so
is the Hard Rock West. Hurricane Dan as dinosaur slayer.)
Here is one widows reaction:
You have written such a powerful book. It took me
back to those horrible days when the entire valley waited
for words of hope. My father-in-law was Bob Bush, he was
one of three men in his family who died in the mines. My
ex-husband got out of the Shine in the early 80's, and we
moved to Alaska. We are so much a product of that environment.
So many memories, so many names. Buz and Jenny remain dear
friends. Thank-you for writing it, for giving them dignity.
Thank-you also for clearing up the mystery of why it was
so lethal. My husband may have known, but he never told
me. My thanks are so pathetic an expression of what I feel
for the miracle of this book you have written. I had wondered
for years why no one had taken on the task. You have struck
the right note.
I must tell you also, I consumed this book. Obviously
so painful a subject would not be savored, but I couldn't
stop. I missed my yoga class and read for 6 seemingly short
hours.
It was signed by a Sunshine widow, just a few days ago.
Hey, you with the cute charts: Men die for you. Hey you
with the pump-and-dump scam. Men die for you. Ninety at
a time, in the exploration camps, in the hard-rock mines.
Does that make you, Mr. Normal with your accounting degree,
feel superior?
Men die. Its a fact of life for all of us. What Gregg
does is dignify, for the first time in American literature,
the hard-rock miner that walks amongst you. He is not macho.
He is simply an American man. This is the stick-man miner
of Hart, Twain and Solomon, suddenly flesh and bone.
The men who make lousy charts and stock scams are different
from the men who actually bring you silver. Miners are living,
breathing sentient human beings who occasionally die for
you.
Gregg has breathed life back into the inert bodies of the
91 dead of May 2, 1972. That the Sunshine Mine is now in
the hands of a man who lost uncles, grandfathers and friends
in the Newcastle coal fields is of no small consolation
to me. To understand mining at that visceral level
that mines are holes in the ground that occasionally do
nasty things, especially if management is not looking
is not something your average MBA can suss.
Mines kill while you play with your chart toys in your
air-conditioned condo in Florida. The beauty of the miners
dignity is that they know this and go to work anyway. The
least of the days pay hands has a triple-nine silver
round on his mantle. He believes in what hes doing.
Thank-you, Gregg. Youve reminded the miner of the
dignity he always had, a dignity that the poofters in their
Park Avenue lofts will never know.
Gregg has healed us, vindicated our labours. Before you
buy an ounce of silver stock, read this book. And give Gregg
Olsen a Pulitzer. The American West has always had a friend
in the hard-rock miner. Now the miner has a friend.
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